This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Wild In Me

Vitamin D gave me this track to write to.  This is the only track on the record that I didn’t compose.  Vitamin D did this track on the Yamaha MOTIF.  I wasn’t even present when he did it.  Maybe I can get an interview with him on this blog regarding his adventures while making it.  Hmm…I can do that with all of these huh? There is some awesome energy on this track.  Donyea arranged the background vocals at his studio.  As I remember that chorus was challenging to arrange.  Choklate and me tried and…either gave up or we just got busy.  Maybe a little of both.   I don’t even remember what got me over Donyea’s house to record scratch vocals on an SM58.  This was the most challenging part of the song.  There was some doubling and tripling that I had to do that wasn’t really connected to the time.  Fun though since we pulled it off.  We re-recorded all the vocals at Vitamin D’s Pharmacy on the Neumann U87.  The album almost got named after this track.  I like that I got to explore a rich range of my voice that I don’t explore enough.   The end sequence has some head voice action of mine that I cannot seem to duplicate.  Very rich and soulful.  I usually battle my head voice being thin but not here.  I don’t know what I did.  Maybe I do but…ahem.  Generally the changes revolve around C#-11 and B11.  Very appropriate for this album as I did a lot of work with one-step interval chord progressions.  A link I just made right now.  I didn’t even choose the track because of that but…go figure.   The bridge…the horns.  I think we got the trombone in there by luck.  We recorded the horns at Steve Scalfati’s IQ Beats studio.  When I arrived.  A session that included a trombone player had just finished.  I didn’t even know the guy.  He stayed on to do Wild In Me.  AMAZING!  I will get his name.  I knew it a while ago but I have forgotten.  I haven’t seen him since.  Eek.    Chris Littlefield played trumpet…per usual.   Donyea engineered both the scratch vocal session and the final vocal sessions.  Doing so had him produce a remix.  The remix will be included in this blog.  The dude is stupid.  He did the remix on a KORG Triton Studio and Nuendo in about 3 hours.  Silly guy.  His remix is what we perform live.  I totally love the rugged feel of the album track.  It is the epitome of Sweet Urban Soul.  No prisoners production supporting lilting vocals.  Very sexy to me.  I had no idea it would turn out so good.  The lyrics were inspired by an extra-physical experience that totally blew open my senses.  Anyways…party on.

LYRICS

You bring out the wild in me.

Ooo you’ve got me feeling everything.

No more pretense of control

I’m open down to my soul

Itchin’ now what do I do?

All my desires that were secret

Now are open to me

What have you got me into.

Hot it’s so hot because of you.

You’ve broken in and stole my heart.

I’ve got to tell you I’m so grateful honey.

These lights are giving me the highest charge.

Let’s get into all that I’m diggin’

You bring out the wild in me.

You got me feeling everything.

You bring out the wild in me

You got me feeling

I don’t ever want to get over being open.

I’ve happily lost my mind.

Floating on this psychedelical haze.

We’re having such a good time.

Ooo with just a touch and I’m yours.

You’ve got me feeling like I do.

Touching all my dreams, my dreams come true.

Living in the moment so alive.

Living unafraid I love this high.

This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Here is the song for you

Can’t Get Enough nudrums 2008(remix)

The title track!!!  This one did get it’s start in Propellerheads REASON once again.  I was just playing with some drums.  They were different I let it sit for a while.  I remember coming home late with my then girlfriend after having a wonderful time.  I was in a great mood and began to lay down a bass line.  Two bars of Ab and two bars of Gb.  The recorded version is a step down.  Gb to E.  I put chords to it almost as a joke.  Laughing the whole time.  AbMajor7 and Gb11.  As soon as I heard it I had a new favorite song.

This song makes me feel good.  It is a rejoicing, celebratory song.  The lyrics were written days apart from the “Hold On To You” lyrics and at the same time of day.  Not all of the lyrics but the direction of the song definitely emerged between 2-4pm on a weekday.  I was thankful to be in what was then a caring relationship that made sense.  My versions of this song will be available to listen to hopefully along the bottom of this post.  Very stripped down.  As i;ve said before I think in trio a lot.  My first album was essentially a trio album.  Me, Allen Hunter (then Allen Matthews) and Marvin Shields.  Keys drums and bass respectively.  I did a remix of my REASON track of “Can’t Get Enough” which will be included in this post with luck.

Donyea did the album version in REASON also.  I love the way he tried to stay true to what I had put down bass line wise.  He really took it to the Nth degree.  Very rich tapestry of rhodes, wurly, strings and leads.  The bridge got its last bar tricked out with a major 7 descending sequence.  There are a lot of gospel musicians that make incredible music that breaks rules or that don’t follow music theory rules.  Donyea is one that thinks outside the box….way outside but to me it still makes sense theoretically.  It makes perfect sense yet I would never have put it together the way he did.  I wish!!  That is why I call him Music Superman.  He presented the track to me last among “Hold On To You” and “Promise Me Love”.   (Side note:His first version of “Promise Me Love” is very different from the album version.  I will see if I can dig it up and include it in the “Promise Me Love” blog.)

Vitamin D did the mix at Woodshed Studios.  The vocals were recorded at The Pharmacy.  Both Choklate and I arranged the vocals.  Very fun session.  It is funny how art changes overtime.  I don’t sing it the way it was recorded anymore.  It has lead me to think that I should perform my songs more before I record them.

“Can’t Get Enough” was nominated for Best R&B Single 2008 in the Los Angeles Music Awards.  The rest of the album hadn’t even been completed.  Some post production editing was done by producer/engineer Bubba Jones for ContactCreate Studios.  This is one of my favorite songs of all the songs I have written.  Enjoy.

You got me running, got me jumping

Trust me baby this is something

So incredible.

I can feel it, I can taste it

This time I’m not going to waste it

Best believe it girl.

I’ve been wanting so much more,

And you, you give me so much more.

I’m unrecognizable,

But I’m more me, more me than I’ve ever been before.

Chorus

I can’t believe it

I love you so much

And since this started

I Can’t Get Enough

I’m so excited

I long for your touch

And since this started

I Can’t Get Enough

You got me giddy, I keep grinning,

And it’s only the beginning

Who’d have ever known?

Who am I, and who are you

I’m so alive and so brand new

My mind is so damn blown.

I’ve been wanting so much more

And you, you give me so much more.

I’m unrecognizable

But I’m more me more me than I’ve ever been before.

Chorus

All the hurt I hope to destroy.

Making room for all this joy.

Who said love had to be believable

To be real

So real, so real

This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Whatchagonnado

Ah the first one of these songs not to have been conceived on REASON. I first put this together on my trusty work horse the KORG Triton. The original one. Still alive and kicking it. It has long since paid for itself. Most of the production work is Donyea Goodman’s work on REASON. (Oooo endorsement please!!!) Under the suggestion of Vitamin D we added some other synth textures and the pulsing piano. Donyea Goodman and I arranged the vocals. In fact the vocals were recorded in his studio. About the only set of vocals for the album that was not recorded at Vitamin D’s studio. We meant to get live horns on the end but never got around to it. Donyea has a way of making everything sound live so we didn’t lose. Maybe I can get a live arrangement written out for a live performance. The chorus part of this song was conceived as an improvised lyric in the summer my band played at The Paragon. I remember Dvonne Lewis was playing drums that night. That is about all I remember about that night. To be truthful I am not sure what these lyrics are in reference to. Usually there is an autobiographical nature to my lyrics. If I had to make a guess these lyrics were about a hot and rocky relationship. LOL! The music was written circa 2005. When I still lived on 23rd and Madison. Db11 to Eb Major 7. After recording this song I remember looking at my notes at some of the verses that didn’t make it on the recording and found one that I wished I had recorded. : ( Below are the recorded lyrics. Below them is the set of lyrics trhat I wish I had recorded. At the time it just seemed to be too much.

Verse
I’m so super charged
By your energy.
Tell me who you are
And why you happened to me.

I look in your eyes,
Is it the future I see?
Oh let there be no surprise,
Why I’m wondering…

Chorus
Lead:Tell me whatcha gon’ do…do with my love?
You’ve got to tell me the truth. Whatchagonnado with my love?

Background: Whatchagonnado, Whatchagonnado, Whatchagonnado?
Whatchagonnado, Whatchagonnado, Whatchagonnado?

Verse
I could not erase these feelings for you
What would take their place?
I haven’t a clue.

I just wanna go,
Deeper into this journey
I wanna open your soul.
The way that you’ve opened me?

Chorus

I’m waiting for an answer from you
I need to know please tell me.
Whatchagonnado, Whatchagonnado, Whatchagonnado, Whatchagonnado?

I’m waiting for an answer from you
I need to know please tell me.
Whatchagonnado, Whatchagonnado, Whatchagonnado, Whatchagonnado?

Brilliant Verse That Didn’t Get Recorded
The universe is alive
Since you sent love my way
What a delicious surprise…
I’m having everyday.

How much of it’s me
How much of it’s you
How much of it is God.
Revealing to us the truth?

This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Get It On

Listen to my Songs Here:

So Cool!

So Cool!1(arr1)

(pat is) So Cool!

Actually this was one of my first creations using REASON. It was also the very first song produced for “Can’t Get Enough”. It took almost exactly one year to make. Hilarious. Busy schedules and little or no budget was the culprit. It was also one of the first times Vitamin D ran a production of mostly live musicians. The only thing programmed are the drums. The rest are live musicians. We had a good time making this one and vowed for it never to take a year to complete one song. While I wrote the song, (chords, lyrics and melody) this is solely a Vitamin D production. I guess I can take some production credit as I chose the live players. Horn players Steve Scalfati, and Chris Littlefield, bassist Gerald Turner, guitarist Herman Brown (Vitamin D’s dad) and I played atop the programmed drums. Emily McIntosh (she just got married so she might have a different last name) arranged all the background vocals. I started arranging them then I realized that I was just recording what Emily had made up in a rehearsal so I called her to just do the damn thing. We really need to get her to do more songs like this. I am curious what it would sound like with her doing the lead vocals. There we go again. I think I like to view the songs (maybe more than songs) from many viewpoints. Divergent…. I think we are getting on top of this audio in blogs thing so….stay tuned.

This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Promise Me Love
This song was originally inspired by Rahsaan Patterson’s “You’re The Only One For Me”. I did the first mock up of it on Reason and Donyea Goodman did the album version of it on there too. I watched him do it in 2-3 hours. He had the sounds already picked. Played through each instrument live over the whole track. Vitamin D in mix down put the wurly through a tube amp and mic’d it. He also made the snare more splashy. That’s how I’d describe it. As I recall my snare on my Reason version was crunchy. LOL!! This track took the longest to get final words. I’m not sure if I have mentioned this but unless the words come all at once with the music (unusual but always good) I write multiple lyric versions until the song emerges. I have forgotten the words most often while performing this tune. A refreshing look at love trepidation akin to “Whatchagonnado” which we will cover later. It’s biographical but not about one event or relationship. It got written over a long span of time so…. I really like the changes. Just before mix I added some extra vocals in Knock On Wood Studios. It lifted the song. Vitamin D hears things. If I can figure out how to make audio available through this blog I will share my early versions of these songs.   Stay Tuned.

This series of blogs (1-14) chronicle my thoughts, whims and history of every song on my newest album “Can’t Get Enough” which took six years to make. I was thrilled to work closely with musical geniuses to make this album a reality. Super producer/engineer/mix artist Vitamin D masterfully led us and was in charge of the overall sonic quality, production and mixing of the album. Music superman and multi-instrumentalist Donyea Goodman’s production skills are featured on over half the tracks on the album. Jake One and Malay contributed as well.

Hold On To You – Donyea’s

Hold On To You

I did the first version of this on REASON. Real simple, just keys, bass and drums. I think in trio a lot. The rest of the details come later or are the job of a producer. Funny he did the album version on REASON as well. Donyea Goodman has an uncanny knack for the little details instrumentally and arrangement wise. That’s why he is my go to guy for making my songs into productions. He was trying to stay true to what I gave him and fill in a gang of blanks I left. His version is not a radical departure from what I gave him. It is a radical building on what I gave him. He never ceases to amaze. There is an instrumental break in both versions on the album. I think we meant for there to be a piano solo in each or one of them. We opted for adding more vocals for sake of moving into the mix phase faster given we had a mix date booked and no way to get a hold of a great recording opportunity for a real piano in 24hrs. Lyrically this is one of my most favorite songs to date. The music came first years ago. I wonder if I have my notes to this one but I know the “Without you my heart would be broken so I’ll Hold On To You” was the break that got the whole rest of the song written. I remember it was a period when some of my best writing was happening between 2pm and 4pm. It was a short period of time but I definitely noticed. The idea for “Can’t Get Enough” got finalized in that same period. Hmm. Weird how things work sometime. There are no other songs I’ve ever written that I can pinpoint to a time of day.

It was Vitamin D’s idea to record vocals in the break and I believe Choklate edited the vocals. FUN!! This song is about how hard it is to stay together. People go through stuff and don’t have words, are afraid to talk it out or are reluctant to face the truth. Upon hindsight when I wrote this song it was me not wanting to face the truth regarding the relationship I was in. Since then this song has come to mean more than what I originally was writing about. I like that about my songs. (even art in general) What it means to you changes over time and over your changing perceptions about your life and life in general. Here is the version of “Hold On To You” that I gave Donyea. I struggled with titling the song “Broken”. Some were disappointed that I went with “Hold On To You”. It was just repeated too much in the song for me not to call it that. The underlying truth though may have lent itself to having the song being called “Broken”. Lyrics like that only come with the perception that something is broken that you would like to fix. Ah fixing things….

Hold On To You

Terry Bello the creator of called me and said “Darrius you need to come to this year’s summit.” It’s been going on for the last 5 years. After attending this one I am wondering why hadn’t been before. It was amazing having so many soul music heavy hitters there to network with independents. I was put on the “Who’s Next” panel to speak about why I was considered a ‘next’. Great opportunity!!! Thank you Terry Bello. I met music marketing strategists, soul music social network builders, promoters, artists, producers, music managers and press. Real heavy hitters like the writer for Anita Baker’s “I Apologize” Gordon Chambers, A Touch of Jazz producer/artist Vikter Duplaix, and indie soul superman Eric Roberson only to mention a few. I recently did a tour in Australia. I met the promoter responsbile for bringing me on soulcommune.com. The creator of soulcommune.com, Drake Phifer, was at the summit and I shared my story with him. Hopefully I can do a feature on the home page. I gave away 50 albums to people worth giving it to. Kana Muramatsu, a writer who attended had actually translated information for the P-Vine release of “Can’t Get Enough” in Japan!!! Amazing!!! I brought lots of business cards home and am busy reaching out and making follow ups and looking to form long lasting alliances.

Big thanks to International Soul Music Summit creator Terry Bello!!!!